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ore than three thousand people surround me in the packed Roxy nightclub on West 18th Street in Manhattan. Still, we’re grateful the surface below our feet was custom designed to support hard falls.

But the wind-milling arms, roundhouse kicks, and javelin-like body tosses on this night in ’97 bear little resemblance to the more subdued moves once executed in Roxy’s early days as a roller disco.

As the ’80s progressed, CBGB on Bowery, The Ritz on East 11th Street, and a few other Manhattan clubs began booking hardcore shows.

At about that time, Kevin Gill, raised in Whitestone, Queens, “just dove headlong into it.” “Hardcore is raw reality,” says the former record label manager, now 44.

Soon, District 9 became a standout act in the scene, in spite of their propensity to skip gigs and get high in the Bronx instead of lugging their instruments onto the subway to Downtown Manhattan and elsewhere.